• 1 RED 4 BLACK PLUS X WHITE 1947 - Alexander Calder 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

1 RED 4 BLACK PLUS X WHITE 1947 - Alexander Calder 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

1 RED 4 BLACK PLUS X WHITE 1947 - Alexander Calder 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
Rea Slutsåld

The Rhythmic Balance of Alexander Calder’s 1947 Masterpiece

Step into the world of kinetic energy and structural elegance with this museum-quality reproduction of 1 RED 4 BLACK PLUS X WHITE 1947 by Alexander Calder. Measuring 70x100 cm (28x40 inches), this framed art print captures the quintessential balance that made Calder a pioneer of modern abstraction. In 1947, Calder was at the height of his creative powers, translating the floating movement of his world-renowned mobiles into static yet dynamic compositions on paper. This piece utilizes a stark, sophisticated palette of primary red and grounding black, set against a natural white background to create a sense of weightless motion.

RedKalion is proud to offer this fine art print as a definitive edition for collectors and design enthusiasts alike. Our commitment to archival excellence ensures that the vibrant depth of the red and the velvet density of the black shapes are preserved with stunning clarity. This isn't merely a poster; it is a curated archival-grade reproduction designed to serve as a focal point in mid-century modern, minimalist, or contemporary interiors.

Premium Craftsmanship & Physical Specifications

To honor Calder's legacy, RedKalion utilizes only the finest materials that meet international gallery standards:

  • Archival Museum-Quality Paper: Printed on 250 gsm (110 lb) natural white paper. This uncoated, matte finish eliminates glare while providing a luxurious, tactile depth.
  • Substantial Framing: The artwork is housed in a premium black frame crafted from responsibly sourced oak and ash. At 20mm (0.79") thick, it provides a more robust and authoritative profile than standard 14mm alternatives.
  • Shatterproof Protection: Every print is shielded by high-quality shatterproof plexiglass, ensuring the artwork remains pristine and safe in any environment.
  • Ready to Hang: Your 1 RED 4 BLACK PLUS X WHITE reproduction arrives with a professional hanging kit included, allowing you to elevate your space immediately upon arrival.

By choosing this RedKalion edition, you are investing in a piece of FSC-certified sustainable art that honors both the history of the 20th-century avant-garde and the environment.

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What are the exact dimensions of the framed Alexander Calder print?

The artwork measures 70x100 cm (28x40 inches). The black wooden frame adds a sophisticated 20mm profile, making it a substantial statement piece for any wall.

What type of paper is used for this fine art reproduction?

We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, uncoated, and matte, ensuring long-term color stability and a premium feel.

Is the framing material sustainably sourced?

Yes, our frames are crafted from responsibly sourced oak and ash wood. We prioritize FSC-certified materials to ensure your art is as sustainable as it is beautiful.

Does the print come ready to hang on the wall?

Every RedKalion framed print includes a professional hanging kit. It arrives ready-to-hang, so you can transform your interior space without any additional hardware.

How is the artwork protected from damage and fading?

We use shatterproof plexiglass for durability and clarity, combined with archival-grade 250 gsm paper that resists yellowing and degradation over time.

What is the significance of the year 1947 in Alexander Calder's career?

1947 was a pivotal year for Calder, following his major 1943 MoMA retrospective. During this era, his work achieved a perfect synthesis between organic shapes and industrial materials.

Why did Calder use a limited palette of Red, Black, and White?

Calder used these primary and neutral colors to emphasize form and balance. By stripping away decorative color, he forced the viewer to focus on the spatial relationship between the shapes.