
What paper quality is used for the Martin Barré 63-L-6 print?
We use premium 250 gsm (110 lb) archival museum-quality paper. It is natural white, matte, and uncoated, providing a sophisticated finish that prevents glare and ensures long-lasting color accuracy for this minimalist reproduction.
What are the specifications of the black wooden frame?
The print is housed in a 20mm (0.79") thick frame crafted from solid, responsibly sourced oak and ash wood. This wider profile offers a more premium and stable feel compared to standard 14mm frames.
Is the artwork protected from environmental damage?
Yes, each Martin Barré print is protected by high-quality, shatterproof plexiglass. This provides the clarity of glass while offering superior durability and UV protection for your archival-grade artwork.
Does the framed art print arrive ready-to-hang?
Absolutely. Every RedKalion framed print comes with a pre-installed hanging kit. You can elevate your space immediately upon delivery with a piece that is ready to hang directly on your wall.
How sustainable are the materials used by RedKalion?
We prioritize the environment by using FSC-certified or equivalent sustainable wood and paper. Our commitment to high-quality curation includes ensuring that our production methods respect global forest conservation standards.
What is the significance of the year 1963 in Martin Barré's work?
1963 was a pivotal year when Barré utilized aerosol spray cans to create gestural lines. This series explored speed and movement, marking a radical shift in how abstract art interacted with empty space.
Why did Martin Barré choose spray paint for the 63-L-6 series?
Barré sought to remove the traditional texture of the brush. By using aerosol, he created a "trace" that emphasized the physical gesture and the atmospheric quality of the line against the white void.