28566 - 1966 - John Hoyland 70x100 cm / 28x40 pulgadas Lámina enmarcada – Marco de madera negro

1966 was a breakthrough year for Hoyland, following his influential Whitechapel Gallery exhibition. His work became larger and more daring, focusing on the emotional resonance of color and the physical presence of paint, cementing his status as a leading figure in international abstraction.

Yes, this is a ready-to-hang framed art print. It features a premium 20mm black wooden frame made from sustainably sourced oak and ash, providing a modern and professional gallery-style finish to the 1966 masterpiece.

We use 250 gsm (110 lb) archival-grade, natural white paper. Its matte, uncoated finish ensures that the vibrant colors of Hoyland’s work are represented with exceptional depth and clarity without any distracting reflections.

Each print is shielded by high-quality, shatterproof plexiglass. This provides the clarity of glass with added durability and protection, ensuring your John Hoyland archival print remains in pristine condition over time.

The frame measures 20mm (0.79") in both thickness and width. This wider profile offers a more robust and premium aesthetic compared to standard 14mm frames, perfectly complementing the bold scale of Hoyland’s 1966 work.

Yes, at RedKalion, we prioritize sustainability. The paper and the wooden frames are FSC-certified or equivalent, ensuring that your fine art print is produced using environmentally responsible and ethical forestry practices.

Hoyland’s 1960s style is defined by non-representational forms and bold color relationships. In 1966 specifically, his work features large rectangular fields of color that interact with more fluid, textured borders, creating a sense of immense spatial depth.