CARGO 1957 - Milton Resnick 70x100 cm / 28x40 pulgadas Lámina enmarcada – Marco de madera negro

We use 250 gsm (110 lb) archival museum-quality paper. This heavy-weight, natural white paper features a matte, uncoated finish to ensure longevity and a premium, glare-free aesthetic for your Milton Resnick reproduction.

Yes, RedKalion uses FSC-certified or equivalent responsibly sourced oak and ash wood. The black wooden frame is 20mm thick and wide, providing superior stability and a more robust look than standard frames.

Each framed print is protected by shatterproof plexiglass, ensuring your art arrives safely and remains protected from dust and damage. We include a professional hanging kit, making the piece ready-to-hang upon arrival.

No, our use of archival-grade materials and acid-free museum paper ensures that the pigments remain vibrant and the paper does not yellow, preserving the integrity of Resnick’s work for decades.

Our 20mm (0.79") frame is significantly wider and deeper than the industry-standard 14mm frame. This provides a more luxurious, gallery-like presence on your wall, reflecting the premium quality of the RedKalion collection.

1957 was a transformative year for Resnick. During this period, he began exploring the 'all-over' composition style, moving away from central focal points to create dense, textured canvases like Cargo that enveloped the viewer.

Yes, Milton Resnick was a central figure in the Second Generation of the New York School. He was a contemporary of Willem de Kooning and Pollock, known for his thick impasto and commitment to pure abstraction.