What makes the paper quality of this Martin Barré print unique?
We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, uncoated, and matte, specifically chosen to replicate the tactile depth of original mid-century abstract works while ensuring long-term durability.
Is the black wooden frame sustainably sourced?
Yes, our frames are made from responsibly sourced oak and ash wood, certified by the FSC. The black finish provides a sleek, modern look that complements Barré’s minimalist aesthetic perfectly.
Does the print arrive ready to be displayed?
Absolutely. Every framed print includes a professional hanging kit. The artwork is secured behind shatterproof plexiglass, ensuring it arrives in pristine condition and is ready to hang directly on your wall.
What are the exact dimensions of the frame?
The frame has a thickness and width of 20mm (0.79"). This is wider and sturdier than the standard 14mm frames, providing a more substantial, premium presence for large-format 70x100 cm prints.
How does RedKalion ensure archival longevity?
By utilizing acid-free, 250 gsm paper and archival-grade inks, our prints resist yellowing and fading. This ensures that your investment in fine art remains a centerpiece of your collection for decades.
Who was Martin Barré and why is his 1959 work significant?
Martin Barré was a French painter known for his minimalist abstraction. His 1959 series marked a pivotal shift toward conceptualism, using space and minimal lines to redefine the boundaries of traditional canvas painting.
What does the title '59-140130-A' signify?
Martin Barré used a systematic coding method for his titles, typically referencing the year of creation (1959) and a specific sequence. This reflects his analytical approach to art and his rejection of romanticized titling.