What is the quality of the paper used for this Martin Barré print?
We use 250 gsm (110 lb) archival museum-quality paper. It is a natural white, uncoated, matte paper that prevents glare and ensures long-lasting color fidelity for your fine art reproduction.
How is the artwork framed and protected?
The print is mounted in a 20mm thick black frame made from responsibly sourced oak and ash. It is protected by shatterproof plexiglass, which offers superior safety and clarity compared to traditional glass.
Is the framed print ready to hang upon delivery?
Yes. Every RedKalion framed art print comes with a pre-installed hanging kit. You can elevate your interior design immediately after unboxing your new masterpiece.
How does RedKalion ensure the sustainability of its products?
We prioritize the planet by using FSC-certified wood for our frames and paper. This ensures that your museum-quality art print is sourced from responsibly managed forests.
Will the print fade or yellow over time?
No. By utilizing archival paper with a thickness of 0.29mm and acid-free materials, our prints are designed to resist yellowing and fading, preserving the minimalist aesthetics of Martin Barré for decades.
What technique did Martin Barré use for his 1964 works?
In 1964, Barré used aerosol spray cans to create sparse, linear marks. This technique focused on the speed of the gesture and the relationship between the mark and the surrounding white space.
Why is the year 1964 significant in Barré’s career?
1964 represents the height of Barré’s 'bombe' series. This era redefined minimalist abstraction by using industrial tools to explore conceptual boundaries and the physical limitations of the canvas edges.