Does the print arrive ready to hang?
Yes, your Martin Barré framed art print includes a high-quality hanging kit. It is delivered fully assembled and ready to hang directly on your wall upon arrival.
What defines the paper quality of this reproduction?
We use 250 gsm (110 lb) museum-quality paper. This natural white, matte, uncoated paper is archival-grade and FSC-certified, ensuring long-term durability and color depth.
What are the frame specifications?
The frame is made from premium, responsibly sourced black oak and ash. It features a 20mm (0.79") thickness and width, providing a sturdier profile than standard 14mm frames.
How is the artwork protected during shipping?
We utilize shatterproof plexiglass to protect the print surface. Each framed piece is securely packaged to ensure it reaches you in perfect condition, regardless of distance.
Will the colors fade over time?
No. By using archival-grade, acid-free paper and museum-quality inks, RedKalion prints are designed to resist yellowing and fading, maintaining their aesthetic integrity for decades.
What is the historical context of Martin Barré’s 65-s-10?
Created in 1965, this work is part of Barré’s spray series. It represents a radical shift toward minimalism, focusing on the spatial interaction between a single gesture and the canvas.
Why did Martin Barré use spray paint in 1965?
Barré used aerosol spray cans to remove the personal texture of the brush, creating a 'distanced' line that emphasized conceptual space and the physical act of marking time.