Granero y silo, Vermont - Edward Hopper, lámina enmarcada (70 x 100 cm, marco de madera negro)

We use 250 gsm (110 lb) archival museum-quality paper with a matte, uncoated finish. This ensures a heavy, premium feel and prevents fading over time, maintaining the integrity of Hopper’s original color palette for decades.

Yes, all our frames are made from FSC-certified oak and ash wood. The 20mm thickness provides a premium, sturdy profile that is more durable than standard commercial frames, reflecting our commitment to quality and sustainability.

Each print is protected by shatterproof, transparent plexiglass and arrives with a pre-installed hanging kit. This ensures the artwork remains safe from dust and damage while being ready to hang directly upon arrival.

The frame is 20mm (0.79") thick and wide. This specific measurement is chosen to provide a bold, gallery-style presence that supports the 70x100 cm dimensions of the Edward Hopper print perfectly.

Our use of 250 gsm archival-grade paper and acid-free materials ensures that your print will remain vibrant for generations. These museum-standard materials are designed specifically to resist environmental degradation and light-induced fading.

Created in 1927, this work highlights Hopper's transition toward 'Precisionism.' It demonstrates his obsession with how sunlight interacts with man-made structures, turning ordinary American vernacular architecture into a profound study of form and light.

Hopper was drawn to Vermont for its stark, uncluttered landscapes and unique light quality. The region allowed him to explore the tension between nature and architecture, a core theme that defines his contribution to American Realism.