BOSQUE QUEMADO 1916 - Tom Thomson 70x100 cm / 28x40 pulgadas Lámina enmarcada - Marco de madera negro

Our prints use 250 gsm museum-quality, archival paper. This heavy-duty, natural white paper is acid-free and uncoated, ensuring your Tom Thomson reproduction maintains its vibrant colors and structural integrity without yellowing over time.

Yes, each frame is crafted from responsibly sourced oak or ash. At 20mm (0.79") thick, it is wider and more robust than standard frames, providing a premium aesthetic and enhanced durability for large-scale 70x100 cm prints.

We use shatterproof plexiglass to protect the print from UV damage and physical impact. The artwork is securely packaged and arrives ready-to-hang with all necessary hardware included for a seamless installation.

Absolutely. We prioritize the environment by using FSC-certified paper and materials or local equivalents. This ensures that your high-end art print supports responsible forest management and sustainability.

No. By utilizing archival-grade paper and high-pigment printing processes, RedKalion prints are designed to resist fading, ensuring the dramatic pinks and charred blacks of Thomson’s work remain vivid for decades.

Painted in Algonquin Park, this work showcases Tom Thomson's shift toward Post-Impressionism. It highlights his unique ability to find vibrant color and architectural beauty in the rugged, often scarred landscapes of the Canadian North.

Thomson primarily painted "en plein air," using bold, directional brushstrokes and a heightened color palette. This reproduction captures those tactile details, reflecting his transition from commercial illustrator to a visionary fine artist.