CARR S 1967 - Antoni Tapies 70x100 cm / 28x40 pulgadas Lámina enmarcada – Marco de madera negro

We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, matte, and uncoated, offering a thickness of 0.29 mm to ensure the artwork remains flat and vibrant over decades.

Our frames are 20mm wide and thick, providing a more robust profile than the standard 14mm frames. They are crafted from FSC-certified oak and ash wood and finished with shatterproof plexiglass for durability.

Yes. Your framed Tàpies print arrives fully assembled with a specialized hanging kit included. It is designed to be placed directly on your wall the moment it is delivered.

By utilizing acid-free, 250 gsm paper and UV-resistant materials, our prints are protected against yellowing and fading, meeting the strict standards required for fine art conservation and high-end gallery displays.

The CARR S 1967 series represents Tàpies' mastery of graphic abstraction. It features his iconic use of 'X' marks and cross-like symbols, reflecting his interest in both spiritual mysticism and the physical reality of the Spanish landscape.

In 1967, Tàpies was deeply involved in the anti-Franco movement in Spain. His work from this era often contains subtle, coded protests against oppression, disguised within his revolutionary Informalist aesthetic.

Every framed print is securely packaged using reinforced materials. The use of shatterproof plexiglass instead of standard glass significantly reduces the risk of damage during transit, ensuring it arrives in perfect condition.