Precio habitual
$999.99 USD
Precio de oferta
$449.99 USD
Oferta
Agotado
Cantidad
No se pudo cargar la disponibilidad de retiro
Nuestros marcos de madera premium, elaborados con roble o fresno de origen responsable, presentan vetas únicas que les aportan carácter. Los pósteres están impresos en papel de edición maestra, de calidad museística, de color blanquecino, sin estucar, ideal para quienes buscan una calidad excepcional.
Listo para colgar: Incluye kit para colgar, listo para colgar directamente en la pared.
Material del marco: Madera de roble y fresno de origen responsable.
Medidas del marco: 20 mm (0,79") de grosor y ancho, más ancho que el marco clásico de 14 mm (0,55").
Gramaje del papel: 250 g/m² (110 lb), grosor: 0,29 mm (11,4 milésimas de pulgada), ideal para bellas artes.
Acabado del papel: Papel mate, sin recubrimiento, blanco natural, de calidad de museo.
Protección: El plexiglás irrompible protege el cartel.
Papel sostenible: materiales con certificación FSC o equivalente.
Tamaños disponibles: 15 tamaños en pulgadas (EE. UU. y Canadá) y cm (resto del mundo).
Sin pedidos mínimos, impreso y enviado bajo demanda.
This framed art print measures 70x100 cm (28x40 inches), including the 20mm (0.79") thick black wooden frame, making it a striking centerpiece for any wall.
What type of paper is used for this fine art reproduction?
We use 250 gsm (110 lb) matte, uncoated, natural white archival museum-quality paper, ensuring vibrant colors and long-lasting durability for your premium art print.
Is this framed print ready to hang?
Yes, it includes a hanging kit and is ready-to-hang directly on your wall, offering a seamless setup for your museum-quality reproduction.
How is the print protected in the frame?
The print is safeguarded by shatterproof plexiglass, providing clear, durable protection while maintaining the artwork's visual integrity.
What makes this a sustainable art print?
This piece uses FSC-certified materials or equivalent for the paper and responsibly sourced oak and ash wood for the frame, supporting eco-friendly practices.
Who was Alfred Jensen and what inspired Timaeus III and IV?
Alfred Jensen (1903-1981) was a Guatemalan-American painter known for his geometric abstractions based on color theory and ancient philosophies. Timaeus III and IV (1966) draws from Plato's Timaeus, exploring mathematical harmonies and color systems to create a structured, vibrant composition that reflects his interest in Pythagorean ideas and Goethe's color studies.
What artistic techniques define this artwork?
Jensen employed a grid-based approach with bold, contrasting colors applied in thick impasto, using a palette knife to build textured surfaces. This method emphasizes his systematic exploration of color relationships and geometric forms, blending hard-edge painting with expressive materiality.
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